Sunday, January 26, 2020

I was wrecked!

On Sunday I was privileged to hear a concert presented by soprano Angel Blue as part of Dallas Opera's Robert E. and Jean Ann Titus Art Song Recital Series.  The excellent collaborative pianist was James Baillieu.  The Moody Performance Hall was sold out for this concert, so I feel quite fortunate indeed.

In preparation for this concert, I did my research.  I found videos of truly beautiful singing, and even more exciting, I found videos of truly intelligent and well-spoken interviews.  See below:





Please, please, please watch the kids video!  It's amazing!

There are many more videos to be found on YouTube and at Ms. Blue's own web site.  How I would love to have met her in person, but schedules are schedules, and I'm a lowly blogger while she's off to the Met to resume her run as Bess in the current highly acclaimed production of Porgy and Bess.  (Porgy and Bess is scheduled to be broadcast to cinemas across the country as part of the Met's HD series on Saturday, Feb. 1.  Yes, I'll be there.)

The concert itself.  I laughed, I cried, it became a part of me.  Honestly, I knew I would be moved, and I knew I would hear beautiful, skillful, and expressive singing, but I didn't expect to be sobbing at the end of the last encore.  On its surface, it seemed like a typical recital a program--Mozart's Alleluia (a good warm-up piece), four R. Strauss songs, four Rachmaninoff songs, and so on.  But what's this?  A zarzuela aria? Ms. Blue spent several years in Spain, singing both zarzuela and traditional opera, and clearly knows how to perform a zarzuela aria effectively.  The English translation in the program was quite saucy, and one could see that in the performance on stage!  Then three songs by Jake Heggie, of whom I've written before. (His Dead Man Walking remains one of the most powerful operatic experiences I've ever had.)  These were beautiful songs.  There was also song not on the printed program, "Valley Girl" by Bruce Adolphe.  Totally cute!

Then came the spirituals.  Oh.  My.  Gawd.  Becky!  From the opening of "Deep River" I was convinced I was witnessing magic.  It was gentle and comforting and wrapped one in a blanket of gorgeous sound and intent.  And then an immediate segue into a very exciting "Ride On, King Jesus!"  By the end of that I was exhausted!

And then there were encores!  First was the predictable "O mio babbino caro", sung really quite beautifully.  Did I mention this woman knows from legato?  Then a song she announced, I believe a song of faith called "He's Been Faithful".  (If I find further information I'll update this article. She does present a performance of this song on her web site.)  Ms. Blue related stories of her father, himself a trained singer who taught her from a young age, a successful singer in the region where she grew up, singing many different styles.  At the end of that song I was wrecked.  Wrecked, I tell you!  My friend told me, "You really should lean on me instead of that stranger on the other side if you're going to cry!"

I am a changed man.  I have a new opera artist to follow with great interest.  I have a new relationship with the lovely PR Diva at Dallas Opera.  And I had a perfectly beautiful Sunday.  Why must tomorrow be Monday?


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