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Christian Bowers as Clyde
and Vanessa Isiguen as Roberta
Photo: Jessica Krayl/
The Glimmerglass Festival |
In spite of my claims above, there were moments I found musically very effective. The church scene, with tenor John Kapusta as the pastor, was very moving and beautiful. There were trio scenes in which the factory girl Roberta and the socialite Sondra sang in parallel lines or unison, regardless of which girl was with Clyde at the moment. In fact, there was a scene in which the lad literally walked across the stage from one to another and back, drawn to both, as the two women sang similar texts in this fashion. Roberta's monologue that opens Act II was quite satisfying, growing in intensity as Roberta's desperation for word from Clyde grows. I also quite liked the chorus of factory women that opened the show.
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Cynthia Cook as Sondra
and Christian Bowers as Clyde
Photo: Karli Cadel/
The Glimmerglass Festival |
Vanessa Isiguen sang the fiendishly high and difficult role of Roberta Alden easily, and acted the young girl seduced and then turned more and more desperate effectively. Cynthia Cook sang and acted Sondra Finchley beautifully. We saw her soften from the cynical young girl who thinks she is worldly to the young woman in love.
Tremendous applause is due to the design team, for yet again Glimmerglass has produced a visually stunning show. The constant presence above everyone's head of shirts (set design by Alexander Dodge) made clear the presence of the factory in the lives of everyone, regardless of high or low station. (I do wonder whether the use of a crucifix in the church scene instead of an unadorned cross was a misstep, since the congregation seemed to be Protestant.) The lighting by Robert Wierzel was quite effective. Period costume and hair/makeup by Anya Klepikov and Anne Ford-Coates were beautiful and perfectly appropriate for what this blogger knows of the period.
Conductor George Manahan led the orchestra and ensemble in the difficult score while also encouraging beautiful phrasing and shaping. Director Peter Kazaras kept traffic moving well and had many clever ideas.
An American Tragedy runs at the Glimmerglass Festival through August 24. I highly recommend it.
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Christian Bowers as Clyde Griffiths
Photo: Karli Cadel/The Glimmerglass Festival
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